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A multilayered book, wonderfully edited. . . . If Bronzeville had only pictures I might lose myself in autobiography. But the words, clinical, earnest, chatty, naive, determined, keep showing me what I did not and could not know.
Solid throughout, this work should be a part of every photography and African American history collection.
—BLACK ISSUES BOOK REVIEW
In the 1940s, the federal government sent a group of gifted photographers across the United States to record and publicize conditions in cities, towns, and rural areas that were the destination of an unprecedented migration. Two of these photographers, Russell Lee and Edwin Rosskam, spent time on Chicago’s South Side, eventually producing over a thousand documentary images of Bronzeville’s life. This remarkable coverage of a black urban community—the only significant collection of photographs of black Chicago during this pivotal era—has largely gone unpublished until now.
In over 100 handsome full-page black-and-white photographs of bustling city streets and sidewalks, prosperous middle-class businesses, thriving cabarets, as well as dirt-poor migrants from the deep South, this stunning tribute captures the vitality of a city whose burgeoning black population produced a vibrant and sophisticated culture now familiar worldwide. With original essays on the migration and the photography project, and contemporary commentary by Richard Wright and others, Bronzeville is a unique and exceptionally beautiful evocation of one of the defining moments in American cultural history.
Maren Stange is an associate professor at the Cooper Union in New York City. She is the author of Symbols of the Ideal Life and co-author of Official Images. She lives in Brooklyn, New York.
Spring 2004
paperback
10 x 8 1/2, 288 pages
978-1-56584-900-6

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