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Interesting and thoughtful. . . . Her critiques are often delightfully acidic. . . . A solid contribution to popular geography.
Lippard has signaled the highest political hopes of art, from her early embrace of ’60s conceptual art to her ’70s support of feminism to her careful documentation in the ’80s of the art of America’s ethnic communities. . . . [The Lure of the Local ] arrives at an auspicious time, as interest in community history is on the rise throughout the country. . . . An encyclopedic study of the art of community.
An excellent reference guide to recent and historical place-oriented art and activism.
The Lure of the Local
Senses of Place in a Multicentered Society
paperback
$35.00
—THE NEW YORK TIMES
In The Lure of the Local Lucy R. Lippard weaves together cultural studies, history, geography, and contemporary art to provide a fascinating examination of our multiple senses of place.
Divided into five parts—Around Here; Manipulating Memory; Down to Earth: Land Use; The Last Frontiers: Cities and Suburbs; and Looking Around—the book extends far beyond the confines of the art worlds, including issues of community, land use, perceptions of nature, how we produce the landscape, and how the landscape affects our lives. Praised by critics and readers alike, she consistently makes unexpected connections between contemporary art and its political, social, and cultural contexts.
Lucy R. Lippard’s books include Mixed Blessings, Overlay, Partial Recall, and The Pink Glass Swan (all available from The New Press). She has been a columnist for the Village Voice, In These Times, and Z Magazine and was the cofounder of Printed Matter. She lives in Galisteo, New Mexico, and spends summers in Georgetown, Maine.
Spring 1998
paperback
8 x 9 1/4, 336 pages
978-1-56584-248-9
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